Building a forgotten identity one word at a time (Books - New Finnish Grammar by Diego Marani)

Language is identity, according to Diego Marani's New Finnish Grammar (2000).  It was originally written in Italian, recently translated into English by Judith Landry, and short-listed for the Independent Foreign Fiction Prize.  Dr. Petri Friari, a neurologist aboard a German hospital ship in 1943, discovers a man barely alive with no memory and no language.  Wearing a Finnish navy uniform jacket with Sampo Karjalainen embroidered on it, Dr. Friari identifies his patient as Finnish.  It is difficult to say whether it is the evidence that convinces him or the fact that Dr. Friari is himself a Finnish exile and for this reason has taken his patient's case very much to heart.  At any rate, the Dr. teaches him some language basics and ships him back to Finland advising him that in learning the difficult language he could reclaim his memory and, thereby, himself.

The costs and incentives of doing science (Books - How Economics Shapes Science by Paula Stephan)

The Mayor of New York City, Michael Bloomberg, has been trying to lure a top university to create a school of engineering and applied science in NYC.  In fact, he sweetened the deal by offering $100 million, claiming that the investment is worth far more in future start-up businesses and the jobs and products they would create. Is this project really going to spawn the creation of a new silicon valley in NYC or is Mayor Bloomberg overstating the impact of one school?  Paul Stephan's new book How Economics Shapes Science is a thorough, data-rich analysis that can help us consider such questions.

Jazz and betrayal in occupied Berlin and Paris (Books - Half-Blood Blues by Esi Edugyan)

Half-Blood Blues, by Canadian novelist Esi Edugyan, is a jazz musician's memory of his youth in Berlin and Paris on the eve of World War II.  Occasioned by the screening in 1992 of a documentary film about his one-time collaborator, trumpeter Heironymous Falk, bassist Sid Griffiths must unearth old and difficult feelings about art-making and duplicity among friends. 

Edugyan moves the action between 1939 and 1992 as her cranky narrator tries to hold back the past from encroaching on the present.  The voice she has him sing in, for it does evoke music,

A battle for connection (Books - Solace by Belinda McKeon)

Perhaps I am influenced by having just revisted Howards End, but I read Belinda McKeon's debut novel Solace as a portrait of two men, father and son, who wage a battle to connect.  This is not merely a portrait of the generation gap as Mark and Tom Casey are separated by more than their ages.  Tom, the father, farms while Mark, his son, earns a doctorate in 19th century English literature at Trinity College, Dublin.  They are separated by their work, their geography.  Tom is taciturn, Mark more emotionally accessible.  It is across the abyss of tragic loss that they finally must reach out toward each other, but simultaneously the reader can observe the other kind of connection about which Forster writes. How in their struggle to accept the other person these men become more whole themselves.

An aspiration toward wholeness in a fracturing world? (Books - Howards End by E. M. Forster)

E. M. Forster exhorts us to 'only connect' in his great novel Howards End.  I re-read this old favorite every few years.  This time through I was struck not just by the way in which his plea asks us to connect in the sense of building bridges with others, but also by pulling together the apparently disparate parts of people.  If the Schlegel sisters Helen and Margaret represent, as Forster says, the passion and the prose, then true apprehension of a person, including oneself, is connecting all that exists in him or her.

A cruel hand laid upon American citizens (Books - The New Jim Crow by Michelle Alexander)

According to Michelle Alexander's The New Jim Crow: Mass Incarceration in the Age of Colorblindness, the "War on Drugs," was not waged in an effort to dispense justice to dangerous criminals, but rather to control black men by putting them behind bars and relegating them to permanent second class status upon their release.  Her book is damning accusation that the execution of the drug laws has effectively continued the marginalization of black men that began with slavery, proceeded to the Jim Crow laws.  The difference today is that, since many presume we have reached the colorblind nirvana dreamed of by Dr. King, this is carried out through procedures masquerading as law and race is never mentioned.  Alexander's book reads less like a typical account of current affairs than a passionate case argument, a form that will come as no surprise considering her career as a civil rights lawyer and legal scholar.

Get out of the lab: scientists communicating with the world (Books - Am I Making Myself Clear, Don't be Such a Scientist, Escape from the Ivory Tower)

As I approach the home stretch of a PhD in neuroscience, I find that that the audience I most enjoy writing for about this cutting edge field is the general non-scientist reader. I read three books recently about scientists communicating with non-scientists. Am I Making Myself Clear by Cornelia Dean, Don't Be Such a Scientist by Randy Olson, and Escape from the Ivory Tower by Nancy Baron have in common a belief that most scientists do this poorly and, ironically, that they should do it more often. Too long winded, too technical, and too many qualifications are the main criticisms, and each volume offers advice on how to be more effective.

Michael Gazzaniga, Father of Neuroscience, Speaks on Brain Science and Free Will

I covered neuroscientist Michael Gazzaniga's talk on the brain and free will at Cooper Union for Capital New York, hence the resounding silence here. Check out my piece at the link below.

“Probably 99.999 percent of what goes on in the brain is automatic and unconscious. I have no idea what my next sentence will be, and sometimes I sound like it,” Gazzaniga began in his unassuming way. “We think the other stuff, the ‘me,’ the ‘self,’—we think that’s really important. We think there is somebody in charge—somebody pulling the levers.”

In promoting the book Who’s In Charge, Gazzaniga has learned that this is a subject on which everyone has an opinion.

Can we have free will, if the brain's actions are automatic? A scholar makes the case | Capital New York

Orwell's inherently human contradictions embraced (Books - Why Orwell Matters by Christopher Hitchens)

I decided to read the late Christopher Hitchens's Why Orwell Matters less because I have a driving interest in political essayist and novelist George Orwell than because I had never read a book by Hitchens and many a sharp reading friend had praised his work. I was vaguely aware of Orwell being lauded and derided alternately by the left and the right. I knew he had become a hero of the neo-cons and I didn't know why. There's no reason to read at all if you're only going to stay in your ideological comfort zone, so I picked up Why Orwell Matters this weekend to see what they were all about.

This slim volume is not a biography. It is a corrective polemic of others opinions of Orwell - either critics of him, or those who idolized Orwell by appropriating

A drama of social injustice in the Mumbai slums (Books - Behind the Beautiful Forevers by Katherine Boo)

Award-winning journalist Katherine Boo has spent two decades, according to her bio, writing about how societies distribute opportunity and, consequently, who is defined as poor. The last three years of that time she spent reporting on India, and in particular, an illegal squatters' slum near the Mumbai airport and luxury hotels known as Annawadi. Although Boo writes non-fiction, her prose in Behind the Beautiful Forevers transforms poverty from a socio-political abstraction into something one can taste and smell and whose consequences upon real people we experience deeply.

What use is history? (Books - In Europe by Geert Mak)

There is no use fixating on past mistakes, some advise. Stay in the present, say the gurus. But these approaches are anathema to the human nervous system. Even basic nervous systems use sensory equipment - eyes, ears, antennae, pressure sensors - connected to a few dozen nerves to adequately serves an organism which wishes to avoid danger, find food, or reproduce. But one advantage of having a brain is that we can accumulate information about common patterns of stimuli existing in our environment, using it to anticipate what we encounter in the future. Our brain's visual system makes

Dastardly art about the forces that spur vioence (Film: Inglourious Basterds (2009) by Quentin Tarantino)

Quentin Tarantino's use of violence in films like Pulp Fiction is supposed to be commentary on violence in film and television, but I have found them merely exploitative. This is not because media does not glorify violence, but because Tarantino's use of self-referential gestures and cute trademarks while using slaughter patently as entertainment is too cavalier. We already live surrounded by bloodshed - take the last 48 hours: with the murder of seven victims by a militant in Southwestern France and the outrageous shooting of an unarmed 17-year-old in Florida by a man claiming he was feeling threatened - I find the irony too disrespectful of lost lives. What the hell is so funny? So my own positive assessment of his film Inglourious Basterds (2009) surprised me.

Who says reading is in decline?

I was struck in reading today's New York Times that the number of pieces on reading and books must have reached some sort of critical mass. Or perhaps it was only the Times's effort to assert its own relevance?

The online edition has begun a series called Draft. It concerns the art of writing and its maiden voyage was a riffy, elegiac essay by Jhumpa Lahiri on the pleasure she finds in sentences (the written not the served kind). This was flanked in the Sunday Review by two more essays. One by Dwight Garner where the message was on the medium - what sort of reading calls for e-readers, iPads, or the printed page, he asks? He cited the recent New York Review of Books essay by novelist Tim Parks (speaking of books in the news) which championed electronic reading media as

Heir apparent to Dasheill Hammett (Books Nineteen Seventy-Four - Book I of the Red Riding Quartet by David Peace

The first volume of David Peace's Red Riding Quartet, Nineteen Seventy-Four, is a violent thunderclap of a novel. It details the search of a rookie crime journalist, Eddie Dunford, for the murderer of a school girl in Yorkshire during the week preceding christmas. It becomes apparent to Eddie that the murder may be one of a string of crimes and Eddie begins connecting the dots between them and powerful people in business and law enforcement. Despite the fact that he has only just buried his own father, or perhaps because of it, Eddie begins a stubborn search for the truth in a world of savagery and exploitation that is way beyond his ken.

Navigating time across the abyss of loss (Books - Purgatory by Tomas Eloy Martinez)

I have often wondered what it is about living in South America that leads writers to adopt the form of magical realism. Having read Purgatory by Tomas Eloy Martinez, recently translated into English by Frank Wynne and published by Bloomsbury USA, I think that I understand.

Since the 1930s, Argentina experienced more than 30 political coup d'etats. In 1975, a military junta seized power from Juan Peron. From 1976 until 1983, in government-instigated acts of terrorism, an estimated 15,000 persons were

Richard Powers - where fact and fiction collide (Essay - What Does Fiction Know?)

One of my very favorite writers, Richard Powers, who writes at the intersection of fiction and science, has written an inspiring essay about the city of Berlin, the unreliability of storytellers, and the place where fiction and fact collide. It is inspiring for the way it mixes personal experience, data, and artifice. It appeared in last summer's Design Observer and I link it here.

Healing a wounded nation one narrative at a time (Books - Glow by Jessica Maria Tuccelli)

There are those who say that America is unnecessarily obsessed with race, but most who make that claim would like to change that conversation. America was founded by dominating one race in order to seize their land and by dominating a second in order to support commerce. Both native Americans and those whom Americans enslaved were subjugated out of a sense of entitlement. Whites assumed for centuries that their skin color was favored by their gods and, because they were willing to dominate through violence, that what they captured was theirs to keep. America is built on a legacy of hubris and its consequences can still be felt. For a century following slavery, society was legally bifurcated so that education, transportation, partaking of daily commerce, and marriage were separate for white people and people of color. It seems disingenuous to claim, after those laws were changed under protest a few decades ago, that people of color in America should now feel the same as whites since they supposedly have the same opportunities. Even if they had the same opportunities, history doesn't simply evaporate.

Beautiful little accidents of everyday experience (Books - You Do Not Need Another Self-Helf Book by Sarah Salway)

Sarah Salway, friend and author of the novels Tell Me Everything and Getting the Picture (among others), has just published her first volume of poetry! What better way to ring in March? It boasts the smile-inducing title You Do Not Need Another Self-Help Book, and after reading it, you probably won't. The book features verse and prose poems, mostly contemporary subject matter, and a good deal of first-person voice (but not exclusively). They are sexy, reflective, funny, clever, even cheeky, but mostly these are intimate and generous poems. You can feel the poet reaching beyond her comfort to give you something of herself. I admire the way Sarah courts everyday experience, like shopping or little moments of regret, for accidents which reveal something fresh about being inside of our lives, and how she then uses her craft to create something of lasting worth and beauty from them.

I am delighted to participate in her virtual poetry reading by presenting Sarah's own reading of "Dad Plays St George."




You may purchase the book here: http://www.pindroppress.com/?page_id=440 or here.

For other stops on the virtual poetry reading tour, click here for the list of links.

Embracing the paradox (Books - To the Lighthouse by Virginia Woolf)

I revisited To the Lighthouse, Virginia Woolf's great meditation on how connection to people and to things we love helps us transcend life's transience. It must have been the third or possibly the fourth time I read it. I had bought a new edition last year as my old one is falling to pieces. I am less inclined to do a full-on review than to make a few appreciative observations.

People most often describe the style of Woolf's prose as stream of consciousness but I was aware in this reading that the cadence was more like speech than thought - as though as I was being read to. This legislated a speed for the progress of my reading that I could not exceed without losing the meaning - a kind of enforced luxuriousness.

Representations of Jews changing in film (but only for Jews and only in film?) - (Books The New Jew in Film by Nathan Abrams)

Nathan Abrams, a lecturer in film from Bangor University in Wales, has written The New Jew in Film, about to be released in paperback, about the representation of Jews and various aspects of Jewishness in film since 1990. It's a contemporary take in the era of identity politics, meaning the book is about representations of self in the medium of film. However, in this case, these selves have been historically appropriated and given the role of 'other' by society (at best) or mercilessly persecuted (at worst) for a few thousand years. Abrams traces the evolution of the depiction of Jews in film prior to the last decade. He starts with the classic anti-Semetic stereotype such as the male lascivious money grubber, intellectual nebbish, and hairy sex-addict, and female chicken soup-pushing interfering loudmouth, followed by films that tried to depict Jews as anxious but cute - Fiddler on the Roof or Woody Allen's heroes, and films that attempted to show that Jews are just like everyone like The Graduate, and then films that took on the subjects of anti-semitism in general and the Holocaust in particular.