World War I was one of the most influential events of the last century. Some credit it with ushering in the modern war, the machine age, the birth of the airplane for regular human use, modern music, the spread of modern clinical psychology, and the death of chivalry. Certainly it heralded the dissolution of the Austro-Hungarian, Ottoman, German, and Russian monarchies. Killed 8-9 million soldiers, disabled 7 million, and
seriously injured 15 million. Germany lost 15% of its adult males, Austria–Hungary 17%, and France 10%. Another several million civilians starved to death in its wake. It is little wonder that artists have spent so much time contemplating its devastating reach. English novelist Pat Barker has made the subject of World War I her literary bread and butter. Her Regeneration Trilogy fictionalized Siegfried Sassoon's treatment for shell-shock after serving in World War I. It dramatizes socio-political as well as clinical-scientific complexities of the war experience in a way that makes you feel as thought you were present then. It's a strong and memorable read. Her Life Class looked at making art in the context of war and the changes experienced by one young English woman as a consequence. Pat Barker's latest, Toby's Room, like Life Class, deals with a young painting student named Elinor and her contemporaries, Neville and Paul. I found it a richer exploration than her last novel of the changes wrought on the younger generation in the wake of the war.
Showing posts with label modernism. Show all posts
Showing posts with label modernism. Show all posts
Sunday, December 2, 2012
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